Super Psycho

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super psycho(n.) an immensely disturbed individual who is obsessed with ranting, whining, and blabbering about his life. severely unstable and emotionally undefined, a super psycho should always be dealt with at a distance greater than 50 feet and, with some few doses of aspirin.

WHO THE HELL IS SUPER PSYCHO?
Name:Empermeen Mallawee
Nickname:Elp, Elf, Elfer, Elper, Emper, Empermeen, Buknoy, Boknoy, Bok, Mallawee
Age: I am 15. And I mean it.
Address: Honestly?
Favorite Color: Green, Orange
Favorite Food: Rodic's Jumbosilog
Motto in Life: Abolish our selves.
Favorite High School Subject: Biology
Most Hated High School Subject: Values Education
Most Unforgettable Experience: When I abolished my self.
Most Embarrassing Experience: When I abolished my self.
Who is your Crush: My self.
Do you think autograph questions are dumb?: Super.
So why are you answering this?: Why do you care.
Ambition in Life: To be a Super star.
What is Love: Love is what you say when 'horny' doesn't sound right.
If you were a deodorant scent, what would you be?: Natural Scent.
Your film biopic's title would be: E-pal
One word that best describes you: Magnificent.
What can you say about PGMA?: She has a mole on her face.
How about Josepha Estrada?:His stomach is really big.
How about Angel Locsin?:Her face looks too small.
Your alter ego's name is:
Kokey
Dedication: World Peace.
Any Last Words?: Rrrawwrr.

I'M EVERYWHERE!
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A HISTORY OF PSYCHOSIS

Thursday, April 17, 2008

The Sunken Garden Essays


Part I:
Thursday, Eternal Corn Cobs



There is this artificial jolt in the sight of corn cobs, drenched in fluid of an odd stain of orange, swirling in careless stirs and flipping about in every bouncy step.


Today, the corn cobs are practically the whole of my day. The snippets of time and the seconds that had passed, in a moment I never did foresee, had found their way in the memory of this cup full of corn cobs and orange whatchamacallit. Though I won't admit it, the fluid that had bathed these once rigid pellets are that of cheese, even if I protest that surely nothing as pleasurable as my idea of cheese would make my throat revolt in such prickling irritation. And after much spontaneous mechanisms of opening my mouth, moving my arm about and gyrating my tongue in zest, the cup is now empty, the corn cobs are far into its own mini-history and what is now left is this pool of murky fluid, pale through the translucent material, which I refuse to call cheese, or that which tastes like cheese.


The beauty of the corn cobs, or perhaps what is left of them, this lousy, empty cup, is its subtle representations of how I filtered time, or our concept of a passing, infinite universe.


Here is a cup, in front of me, resting upon a clutter of rotting leaves, remnants of trees that had died away,of bundles of earthly fibers and everything else, basically, resting upon an unremarkable small clutter of this earth. But moments ago, it was more than a memory, it was something so promisingly concrete, something I could grasp or fondle about and press against a whole building block of this puzzle we call 'our reality'. Now it's a memory, in my own memory.


I wonder if the people I had passed by, in my ecstatic task of walking to the Sunken Garden in empty strides, in meaningless gushes of breath, as I held the cup of corn cobs, had even noticed those tiny things now long gone. I wonder if they share my memory of this. Apparently in this universe indulged so much with its momentary awes and in its pretensions of 'a present', my corn cobs are nothing more than my 'claim of a history'.


I claim the existence of were-corn cobs, or the whole silent clump of it, perhaps because in fleeting seconds, it made me think that this noon was worth living for. But the meaning has now led to somewhere else, perhaps obscured by my engrossed absorption of a 'now', a 'now' where my corn cobs, my corn cobs of gustatory delight, are but memories.


Now I see a dragonfly, and I wonder how the world looks at it.


Part II: Wednesday, Cutting the Grass


If there's something worth writing for in here, it would be the grass, all of it, in its crisp, wailing splendor.


On the side of this forsaken oval garden, the grass blankets are dull and still, clutched by doomed shadows of age-old trees. But in the heart of it, in the unassuming navel of this grand expanse, the grasses are golden, smudged in healthy earth and, oftentimes, flattened by seeking footsteps.


Here I am, on the part of the doomed shadows, my own space drenched in noon-time air, where mini-growths of nameless herbs just sprout in anonymity. Yet as I look everywhere, on every inch of abandoned beauty, the grassed would prevail upon the senses, almost in excessive want, or desire. the grasses, in this sun-kissed domain, are the lone passion, so much so since the spell of mid-day woes had made souls to ignore its solemnity.


At this point I would think of you, as pale yet barbed slips of sunlight creep on the page, and then, I write of you. In the visual glory of my recall, the sight of the sprawling green and its imminent crispness die in a whimper, and then I start to paint the contour of your face and the joys that come with it. Surely I do, I would want you to sit beside me, lay your self on this solemn earth of thoughts and solitary souls. The grass, on its every blade, on every gentle, unresisting sway, push you into a mere portrait of a want. And from here, every little things seems so blurry.


In the dead of this summer day, I am made to recall whatever had gone, whatever I try o keep, whatever I want to let to grow. On how I see it, there is this nudge of consciousness, an implicit feeling of temporal symmetry where my senses and all of me seem to exist in two points in time. Or perhaps there is a lone word for it: remembering. For sure the grasses weren't there, as the stretch of cold concrete and its immaculate whiteness had shut them off from our sight.


But in both moments, in both of those remembered specks of time encapsulated by this doting universe, you're in my thoughts, and your memory, all of you, seem to be fluttering everywhere. I see you in the expanse of green, I see you in the sunlight and in its playful chase with the shadows. I feel you in the bite of the noon, in the mute press of the earth against my flesh, in almost everything.


I tell you, there is this symmetry in time, an eventful occurrence of memory and of desire. But just like how it has always been, just like the world's imperative that the sun will cease and the winds will die, it is my burdened duty to look at my solitude.


You are not here and perhaps it will never be, that you and I shall share this space drenched in noon-time air, where mini-growths of nameless herbs just sprout in anonymity.


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